Jules Verne is effectively the origin point for all science fiction. His pioneering blends of speculation and real world science of the mid-Nineteenth Century struck a resonance perhaps unparallelled in the history of fiction. His influence is incredible and yet mostly forgotten as the dystopian and dark science fiction of HG Wells currently prevails. More on that tomorrow, for now we are going to talk about one of Verne's most legendary works.
'Journey to the Centre of the Earth' was first published in 1864. For a moment please consider that year. 1864. Wow. 'Journey' was the third in his series of Extraordinary Voyages novels, during which his readers would travel beneath the sea in a magnificent submarine, be shot to the moon inside a massive artillery shell, or travel through interstellar space while trapped on a comet. In this one, the discovery of a centuries old runic document sends famed geologist Professor Lidenbrock and his nephew Axel on a subterranean journey ostensibly to the centre of the world. Entering the underworld via an extinct Icelandic volcano, in the footsteps of Arne Saknussem of ancient fame, the adventure reveals underground seas and primeval monsters galore. They're saved from an eventual unpleasant demise only by being shot to the surface via an eruption and finding themselves near Bologna.
It's charming, it really is, and so unlike the science fiction that would follow. In the new terrain forged by HG Wells and Asimov and Arthur C Clarke, unbounded optimism is almost the antithesis of science fiction. Excepting only the Verne influence on Star Trek, we are faced with monsters and mutations and disasters galore in the years ahead. Only badness can come of science and space, is what they say, and that's what we watch and read and listen to.
The optimism of 'Journey' is in the journey, in the idea that these things are possible and can be lived through, and in the naivete and originality of the writing. 'The Lost World' of Conan Doyle was written in 1912 but living prehistoric life appears here first. Axel almost dies of starvation several times, suffocation and heat prostration a few more, is trapped alone in the labyrinth and all the while is missing his fiancée Grauben who he will marry upon returning home a hero with her guardian the professor.
'Journey' is my favourite of the Verne stories that I've read, lacking as it does the moodiness of Captain Nemo from 'Twenty Thousand Leagues Under The Sea' and the sheer madcap and breakneck pace of 'Around The World In Eighty Days' and replacing it with... geology. The geology is cool. Any story that features some basic geology should be lauded up into the clouds and beyond. The impetuousness of the journey is staggering but it does harken back to a time when being able to do something almost demanded that it be done, and that without the inevitable nasty consequences. Yes, that's a symptom of the mindset that has left us in environmental crisis now but it didn't have to end up like that.
For every mad adventurer like Lidenbrock or Phileas Fogg there was a stalwart companion like Hans or Passepartout. The human race would work it out, even lacking the feminine half of the species who were rather passive back in those times. Now woman is emancipated but not in time to be in Jules Verne books equally; We'll file it under 'Sometime life just stinks' and move on. Indeed there are some questionable (or plain outright wrong racial stereotypes) in some of the Verne novels but we're dealing with a nineteenth century man here, and in many ways a progressive one.
What is the best part of 'Journey' and what is the most challenged? Personally the most interesting and fascinating part is the introduction and the runic puzzle, simple though it may be, which is only challenged by the storm sequence on the subterranean sea. For bad parts, and remember we're dealing with translations for the most part, the least engaging portion is the ride back to the surface through the volcano and most scientifically wrong is the whole concept of disproving the central fire of the planet. But still, it is at heart a children's story and an excellent one at that.
O.
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