It's certainly the best of the Big Four of Wilkie Collins, but it's also the least striking or controversial. 'The Moonstone' is a rollicking yarn from start to finish, with the one exception of the forced secret that keeps the story going, and the whole positively reeks of style. It also contains the fewest narrative cheats of the Four, and the most lovable of narrators in the opening section, the charming butler Betteredge, devotee of 'Robinson Crusoe' and stubborn defender of common sense throughout.
Is it important that it's not as controversial or sensational as the other three: 'Armadale', 'The Woman In White' and 'No Name'? Is that perception even correct? As it stands, the only vaguely controversial aspect of this story is the drug aspect, and drugs weren't as controversional in the nineteenth century as they are now. For example, in the 1890s, people could buy now-criminal drugs over the counter in pharmacies! In the end, it's probably important that 'The Moonstone' isn't scandalous, but for the opposite reason to what we might expect. It's important because it's the least susceptible to changes in societal norms! 'The Moonstone' always remains a caper instead of a social commentary or sensationalist endeavour.
The story revolves around a supposedly cursed Indian diamond, passed on by a villainous ancestor to Rachel Verinder, a young heiress. The stone, which has been pursed by Brahmin priests for fifty years, disappears mysteriously from Rachel's rooms, ruining the relationship between her and beloved fiance, and causing massive confusion on all sides. What did happen to the diamond? Why does Rachel turn on her confused man? How did the stone end up with a prominent fence, and will famed detective Sergeant Cuff be the mind to penetrate the mystery? The story then passes through several first hand narratives, over the course of almost two years, before the true story is revealed.
What is the revelation? Depending on your point of view, it's either a masterpiece of innovative storytelling or the worst piece of hokum to ever grace the pages of a classic novel. Only you can make the decision. It's important to remember that, despite my hyperbole, 'The Moonstone' is still a Wilkie Collins novel and therefore has the obligatory middle stretch where you can feel the book stalling for time before it begins to wind up again, which is a symptom of its origins in seralisation, perhaps? It makes up for this with one of the very first detective characters in fiction, and gains a place in history as a result.
Yes, it's pretty good. Thank you, Wilkie Collins, for this and the others, 'No Name' being the pick of the rest.
O.
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