This could easily have been called 'The Redemption of Colin Matthews' or 'A Very Special Episode', but the former wouldn't have been fitting and the latter could just as easily been used for the first season two-parter 'How To Make A Killing' or the finale of that same season, 'Shouldn't I Be Taller?'. For all that, though it is a very special story, and it does redeem the arch-hustler Colin, this is one of most important story of the whole series.
On the surface, the idea of a young girl (called Cyndi) befriending a confused Colin after learning about his past antics would seem run of the mill, but when it becomes apparent that she has a child abuse problem and that Colin is the one she has tried to connect to for refuge, the whole concept of the conscience-less and capitalistic hustler is turned on its head, and his humanity rises to the surface. The comedy sluices away, and is shunted to Lynda and Spike's attempts to keep their new romance secret. Meanwhile, Colin struggles with the dual problems of his own legacy making him completely uncredible when seeking assistance, and the weight of the soul-destroying knowledge that he has deduced and had tacitly confirmed. How on Earth would a born salesman and con artist convince anyone that the 'something terrible' was happening?
Fortunately, and in unlikely fashion, the tyrannical editor that is his boss Lynda spots that he is troubled when no-one else would and takes him under wing and the two people who are hardest to know dole out the biggest dose of heart via the titular team's junior newspaper. It's all very well done, and of course uncomfortable at times. However, it's never too uncomfortable. It's a good story, and one that is still not out of date. In the last few weeks alone, it has become clear that child abuse is a tragically common occurrence in the United Kingdom. Where are the kids show to make provoking stories for the young people of 2016? Who is going to help the reported one in fourteen young people suffering abuse in this country? Where are the Colins to make these points?
It was a brave show to make in 1990, as was 'How To Make A Killing' in 1989, and very well done. Every mention to Colin's pink rabbit suit interlude in 'A Night In' is welcome, even if made by the suffering Cyndi. Yes, Colin is a hustler, but when motivated he uses his salesman powers for undefeatable good instead of self-interested greed. Points are made, outside of the political sphere of hyperbole and blather. Come on, Britain, we can do better than this. It has been twenty six years since 'Something Terrible' and the redemption of Colin Matthews, after all.
O.
Note: This post produced in place of the umpteenth article on 'Joe Versus The Volcano'. Lovely, lovely film.
Note: Cover post, pre-written to cover for a ten year university reunion of doom. Please send a helicopter with assistance.
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