Wednesday 15 November 2017

Television: 'The Man From UNCLE: The Neptune Affair' (1964) (Aired 1x11, Produced 1x04)

We will be up to date with the UNCLE Season 1 rewatch after this post, having skipped the oddly flat 'The Brain-Killer Affair', and so there will be space for other posts that aren't about Napoleon Solo! However, first we will chatter on about 'The Neptune Affair'. This is very much a return to basics, and a good return at that, as Solo is sent off to follow a tenuous trail in hopes of averting a horrific conflict with Ilya's home country. It seems that someone has been launching fungicidal attacks on Soviet crops, and launching them from American territory...

It was nice to see Ilya in Soviet uniform at the beginning, confirming that he is in fact a Soviet officer even while working for UNCLE (or undercover), and it was interesting to see that spilling over a little into his conference with Solo. We get very little Ilya early in the run as he was essentially a minor character until the audience warmed up to him very similarly to the way they did to Spock on 'Star Trek'. Anyway, we get more of him here, but it's still very definitely (and thankfully) the man from UNCLE and not the men from UNCLE that we're following at the moment. Robert Vaughn could easily carry episodes on his own, and with magnificent charm and swagger.

There are some very nice moments in this episode, including some nifty emergency conditioning so that Solo can resist drugged interrogation after muttering a code phrase, and a cute closing sequence on a beach after escaping from the scheme of this week's evil schemer. This time it was the ever wonderful Henry Jones, the prototypical memorable man with an unremarkable name. He had a scheme, and a team, bent on inciting a conflict and then cleaning up what was left of the world after the dust had settled. Presumably from his secret base under a marine oil rig? It's patently daft, but it does allow Robert Vaughn to get in a lot of very impressive and well-shot water work, and the introduction of the innocent's story is very natural and organic.

Hmm. Is there anything else of note? It's good to see Solo going undercover again. It shows an interesting level of deviousness to his abilities. This one will probably be remembered for all the lovely boat and water work, and some very interesting characterisation for Henry Jones' antagonist. It also looks spectacular. Some of these episodes look better than the movies of the time!

O.

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