Thursday 5 July 2018

The Literary Reflection, XII

It is once again time to break weblog silence and blabber a little about some of the things read recently, which won't be getting posts of their own. And, here we go, with lots and lots of 'Lovejoy' in the mix...


'The Judas Pair' (1977) (Lovejoy) by Jonathan Gash
The rogue-ish Lovejoy makes his debut here, with so many typos in the edition that I read that I almost went mad! Is there no proofreading in the world? Whole missing words or some needing to be entirely replaced is substandard indeed. However, it's still a brilliant little gem, although the attitude towards women is a little misleading at times. Yes, he's saying some pretty sexist things in the first person narrative, but his actions are actually saying something contrary. Or are they? He does bash that woman at the beginning, and shoves her in the bathroom. I've sort of lost track. Lovejoy is commonly described as 'rogueish' for a reason. I've already done it myself! 'The Judas Pair' is a great antiques-laden thriller, despite the typesetting woes, and the narrative is both compelling and funny. It is very short, though, and comparatively slight, prompting inclusion here, rather than in its own post. This could be a very good sequence of novels, although I don't know how Gash is going to continue any kind of status quo after such destruction and mayhem...


'Gold From Gemini' (1978) (Lovejoy) by Jonathan Gash
... but maybe he didn't even try. What happened to continuity? The cottage is back, the local population is changed, with many replacements? Lovejoy has a married lover called Janie, and a dimwit apprentice called Algernon? Only Tinker and a couple of supporting characters, one of whom is murdered, support this not being a restart. Perhaps it's from earlier in the life of Lovejoy? Maybe he's broke because he rebuilt his cottage? What is going on? He's not quite so violent this time around, and the mystery is very nice. An unknown master painter (and forger) supposedly knew where some ancient Roman gold was hidden on the Isle of Man, but was murdered. Lovejoy, followed by his unwanted allies Janie and Algernon, end up on the Isle, caught up in a confrontation with a murderer and some scenic wanderings. This one might be our closest approach to the television version of 'Lovejoy', with Janie and Algernon being reasonably close to the screen Janie and Eric. Tinker is still far too much a human wreckage though. The worry is that this second book has established a formula, being structured similarly to 'The Judas Pair'. Is every novel going to be essentially the same? Will he ever stop trashing women in his first person narrative? Is he being serious?


'The Vulcan Academy Murders' (1984) (Star Trek) by Jean Lorrah
This is a nice little 'Star Trek' novel, which paints in a lot of the Spock/Sarek/Amanda backstory and the events that transpired after 'Journey To Babel'. Of course, every trip to Vulcan includes a murder mystery, and experimental science, doesn't it? I think it's a rule. Sadly, the culprit is pretty well telegraphed here, but it all works well as a further exploration of Spock's wacky homeworld, which very much goes against the uniformly desert-ravaged screen version. One episode in a desert region does not mean the whole planet is a sandy hole, screen writers! It is nice to get Kirk, McCoy and Spock in a non-mission situation for once.


'The Grail Tree' (1979) (Lovejoy) by Jonathan Gash
And now, with the third 'Lovejoy' novel, we reach a crossroads. The formula is deeply ingrained at this point, as seen in the first two novels outlined above. Is anything going to change, or is going to be same thing but different details each time? Yes, it's different to have a supposed Holy Grail as the object this time, and a showdown in a local museum is unique, but the mysteriously rotating characters of the local antiques trade are becoming a bit vexing. What happened to X and Y, and how did T suddenly become a well established character? Putting all that aside, it's a very well executed book, and Lovejoy's new amorous apprentice Lydia is kind of interesting. Will she back next time, though, or is she just another phantom, due to mysteriously disappear next time? How could she? Her final bargain is rather pivotal! Only time will tell. Maybe one more novel in the series wouldn't be a big stretch, but if Lovejoy ends up pursuing vengeance for the death of someone he just met again, we may have to reassess...


'The Stainless Steel Rat Saves The World' (1972) by Harry Harrison
In this, the second of the 'Stainless Steel Rat' books, we get time travel, continuity loops, pulpy thrills, piles of heists, and loads of laughs. It's a solid little mix, reminiscent of a cross between Dortmunder and Jasper Fforde. It's a shame that it's so slight, though, as it feels like there is a seed of something far more monumental in this series to date. In 'Saves The World', Slippery Jim is sent back in time from a disintegrating future to stop the meddlers who are changing history. Does he succeed in restoring the future and his wife and kids? Does it only take one jaunt through time? Just who is the mysterious villain known only as 'He'? Why are so many questions being asked? You might have to read to find out. This is better written than the first novel in the sequence, but not quite so novel. On the other hand, there are lots of things in 'Saves The World' that you just won't find in other sequences. The 'drugs as tools' aspect is a bit weirder now than it was in the early 1970s, though. Oh well, it is what it was. It's possible that is a setup for a really good third entry, so let's see what happens.


O.

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