Book: 'The Big Clock' (1946) by Kenneth Fearing

Spoilery times ahead.

It's going to be difficult to talk about this without making a comparison to the rather excellent Ray Milland movie version, but let's try. In 'The Big Clock', we are introduced to our main protagonist George Stroud, who is an editor of the crime magazine 'Crimeways', part of tycoon Earl Jaroth's publication group. He's an average guy, except for being a bit sleazy at times, who gets involved with Jaroth's mistress and then witnesses his boss at her home on the night she is murdered. What follows is a thriller, where the murderer Jaroth tells Stroud to employ the entire magazine group staff on a manhunt to catch... Stroud. There are other wrinkles to it all, but the (mostly) innocent Stroud has to protect himself while trying to deflect the investigation toward the true culprit.

Maybe we should talk about the movie, after all, as the differences are important. Here, in the book, Stroud is saved by a freak event which gets the manhunt called off, and is then mysteriously considered in the clear. He is also clearly a philanderer, which is a real flaw to add to the main protagonist. In terms of the climax and likeable characters, the movie is much much better, since Stroud is instrumental in the climax and fate of Jaroth, instead of being the recipient of good but dumb luck. Also, in the movie, he spends the evening with the doomed lady in bars and antique shops, but it is nowhere near being the grand weeks long infidelity depicted in the novel. Ultimately, the novel is hard-boiled noir, and the movie is filled with more likeable characters.

In an unusual move, each chapter of 'The Big Clock' is written from the point of view of a character, most of them George Stroud. There are, however, several narrated by other characters in the story. At the moment, I can't think of another novel that does that in my collection, although it seems as if there is at least one, currently hidden away by memory. Is it necessary, or a gimmick, or both? There are definitely versions of this story which could successfully be told exclusively from Stroud's point of view, leaving the machinations of Jaroth to the reader's imagination.

All in all, this is a good and short thriller. There is an issue with the ending being so sudden and incidental, leaving Stroud in the clear for no reason, but this is purely a subjective problem. The ending of the movie is definitely preferable. It's more satisfying to tie the ending into your protagonist than not, after all. Still, it is a famous crime novel, so Fearing probably knew what he was doing! It's well written, humorous and serious, but a bit brief. Also, there is an eccentric artist! On the other hand, it's a bit too preoccupied  with sexuality and mores for me, but that's not an uncommon problem.

O.